Women are the main characters in all the stories in Pia Z. Ehrhardt's book, Famous Fathers & Other Stories. And all of these women are struggling with issues of fidelity and love, both familial and romantic. The stories take place in and around New Orleans, which serves as a great backdrop-- it is a city that is recovering, as are most of the characters in some way. Ehrhardt's writing is spare and clear, and I liked that. What I didn't like so much was that each female protagonist seemed to be similar to the next-- I started thinking that all the characters were interchangeable. For example, in the first story in the collection, "Running the Room," the narrator thinks about starting an affair at the same time she is housing her mother-- who is actually having an affair. In "Tell Me in Italian," the divorced narrator is having a torrid affair with a married man and finds out a lot of information about her own father's affair with his grad student. All of the women have considered affairs, are having affairs, or are dealing with heartbreak, which is fine, but I would have liked the narrators to be more distinct.
One of the strongest stories in the collection, "Intermediate Goals," tells the story of a woman named Carrie, who is reeling from her recent divorce. She's at loose ends and spends her time hanging out at bars and visiting a local prison. I also thought "Driveway" was very good. A married woman considers having an affair and thinks about the boredom in the daily life of a wife and mother.
Here is an excerpt from "Intermediate Goals": There's something wrong with my train of thought. Pat and I are at Shoney's, drinking coffee and arguing about money, but I switch off and start to admire his eyebrows, his nose, his analog watch, the new orange shirt he's wearing. I watch him like he's someone else's problem, and I start thinking: wouldn't it be nice if he were mine.
Just One Pink gives Famous Fathers & Other Stories a 7.
Wednesday, March 10, 2010
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